My parents both fought in the Second World War – my father as a bomber pilot, my mother as a Wren. Dad often entertained us at family mealtimes with tales of his wartime adventures – of how was shot down over Germany, captured, imprisoned, but finally escaped. My interest in the period grew from there, and my first ‘wartime’ novel The Secret Letter was in fact largely based on my parents experiences. Since then, I have become increasingly fascinated by the period, with now a total of four novels set in WW2, culminating in my present book The German Mother.
A set of six novels that follow the fortunes of Harriet and Guy Pringle, set during the chaos of World War Two in Europe.
Guy teaches English at the University of Bucharest, and the novel opens with him bringing his new wife to join him in Romania. Manning combines an intimate story of the couple’s relationship with an epic tale of war-torn Europe and the Middle East. Her descriptions of places are brilliantly done; her dialogue is perfect, and she effortlessly portrays significant moments in history.
I learned so much when I read it, and yet never felt I was being ‘taught’; in other words it’s the gold standard of historical fiction.
Set under the gathering storm that is the Second World War in Romania, The Great Fortune is the first action-packed, romantic and fascinating book of The Balkan Trilogy.
Guy and Harriet Pringle marry after a six month courtship. Still getting to know each other, they arrive in Bucharest, where Guy is employed in the English Department of the University of Bucharest.
Over the following years Guy builds an eclectic network of friends and acquaintances. These charismatic contacts include his work colleague Clarence, his boss Lord Inchcape, the eccentric Prince Yakimov and Sophie, a local Romanian beauty. Harriet appears tough, but…
Harris is a master storyteller. His novels have ranged across a number of genres – from thrillers to historical fiction. I love all of them, but one of my favourite reads is Munich.
Set in 1938, it’s a stunning example of how to write WW2 history and make it both exciting and informative. British Prime Minister Neville Chamberlain has been ill-served by history, because he failed to negotiate a lasting peace with Hitler; but Harris manages to give us a more sympathetic perspective on the embattled Prime Minister, while at the same time providing us with a thrilling narrative.
Harris’ books have given me the courage to depict ‘real’ people in history as characters in my own novels.
Joseph Goebbels was the Minister for Propaganda in Hitler’s Nazi Germany, and is one of the central characters in my latest novel. I recommend Longerich’s biography of this complex man in its own right, and not just because I plundered it for information when writing my novel.
Scholarly but written in a lively style, the book will appeal to anyone interested in what made the ‘master of the dark arts of propaganda’ tick. Drawing heavily on Goebbels’ own diaries (which run to an astonishing twenty-nine volumes), Longerich has written the definitive history of this complex and fascinating man, who was so attracted to Nazi ideology that he ultimately lost his soul to evil.
Joseph Goebbels was one of Adolf Hitler's most loyal acolytes. But how did this club-footed son of a factory worker rise from obscurity to become Hitler's malevolent minister of propaganda, most trusted lieutenant and personally anointed successor?
In this definitive one-volume biography, renowned German Holocaust historian Peter Longerich sifts through the historical record - and thirty thousand pages of Goebbels's own diary entries - to answer that question. Longerich paints a chilling picture of a man driven by a narcissistic desire for recognition who found the personal affirmation he craved within the virulently racist National Socialist movement - and whose…
I discovered this autobiography some years ago while researching another novel. As I read, I became fascinated by this account of a brave Jewish journalist who managed to escape from Germany in the mid-1930s, and move to London where she worked for the BBC’s German service. At war’s end, she returned to her homeland, where she was employed by the US Army to help with the “de-Nazification” of German women and children to try and restore a sense of decency and democratic ideals among her compatriots. It’s an extraordinary account of one woman’s bravery and served as inspiration for one of my central characters in “The German Mother”.
The remarkable story of Jella Lepman, who, having left Germany to escape the Nazi regime in the 1930s, chose to return in the aftermath of the Second World War, as 'Adviser on the Cultural and Educational Needs of Women and Children in the American Zone'. She soon decided that what Germany's war-ravaged children needed was to see a world of the imagination, beyond their landscape of bombed-out buildings and military vehicles.
Battling with bureaucracy and meeting with generals and statesmen, including Eleanor Roosevelt, she founded the International Youth Library, filling a huge void in the lives of Germany's children with…
This dystopian masterpiece has long been an inspirational book for me.
Written in 1948, it’s as just as relevant today. Orwell’s depictions of the Ministry of Truth, the “thought police”, NewSpeak and the ”memory hole” have entered our language, as chilling examples of the techniques totalitarian regimes use to suppress dissent and encourage ideological conformity among the populace.
My own novel is also centred around this theme – in particular, how the Nazi government suppressed free speech, making German newspapers little more than vehicles for Nazi propaganda. Orwell’s classic is a constant reminder to us all that any government may be tempted to use methods of censorship, clandestine surveillance, and coercion to achieve control of its citizens.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
Set over two decades, the ‘mother’ of the title is Minki, who along with her best friend Leila, become journalists on opposite sides of the political divide. Leila is a liberal Jew, Minki is closer to the fascists. Over time their lives dramatically diverge. Leila marries a fellow Jew, and is ultimately forced to flee her home country for the UK. Minki befriends Joseph Goebbels, and lives an enchanted life close to the seat of power. After marrying one of Goebbels’ inner circle, her world seems complete when she gives birth to her first child. But all that changes when her daughter develops an incurable illness that places both her and her family in great danger from the Nazi Party.
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have a festive theme, specifically set in Australia–sun, surf, sunburn, and prawns. Christmas in Australia is very different from Christmas in the UK, USA, and Canada. We typically wear shorts and t-shirts, eat salad and seafood for Christmas lunch, and play beach cricket in the afternoon. Despite the season, conflicts, secrets,…
Time spent with family can be challenging, especially at Christmas actually…
Kate Cavendish is stuck in a rut. That is until a former colleague contacts her and offers her a chance to fulfil her lifelong dream of becoming a successful photographer.
With her focus pulled in all directions by her children, her pregnant sister, her newly-dating mother, and the niggling worry that her husband might be having an affair, Kate is filled with self-doubt.
Then as the countdown to Christmas begins, and memories of her own childhood resurface, Kate’s anxiety deepens – both personally and professionally. Can she move on…
